The Babadook (Dir. Jennifer Kent) was released in 2014 during a revival of indie horror movies that grew to popularity in the early 2010s. Following a decades long dominance of the “Torture Porn” genre, many low budget horror films began to captivate audiences with complex themes, overarching metaphors, and superb script writing.
The Babadook, similar to other films released this decade like It Follows (2014) and Black Swan (2010), features a central “monster” that is a metaphor for a mental ailment afflicting the main character/s.
Serving as a manifestation of a family’s grief, The Babadook torments our two central sometimes protagonist, sometimes antagonist duo: Amelia and Samuel. Amelia is a single mother, working to support her six-year-old son Samuel after the sudden death of husband on the day her son was born. One day, after Sam’s expulsion from school, a mysterious book appears to the young boy entitled: The Babadook. After reading the book, Amelia becomes disturbed by the graphic and violent images portrayed of her murdering the small family. Slowly, the book becomes reality as the two main characters are haunted by this malevolent figure. Using their familial love, Sam and Amelia have to vanquish this monster together without losing each other in the process.